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5Pin Media MIDI Focus Techno Bank Vol.1 音色素材 英文正式版
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軟體名稱:5Pin Media MIDI Focus Techno Bank Vol.1 音色素材 英文正式版
語系版本:英文正式版
光碟片數:單片裝
破解說明:
系統支援:For Windows XP/Vista/7
軟體類型:音色素材
硬體需求:PC
更新日期:2012-03-25
官方網站:http://www.producerloops.com/Download-5-Pin-Media-MIDI-Focus-Techno-Bank-Vol-1.html
中文網站:
軟體簡介:
銷售價格:$80元
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軟體簡介:
音色素材
'MIDI Focus: Techno Bank Vol 1' is the eighth chapter in the MIDI Focus
series, featuring classic beats, gut-pounding basses, writhing synths,
hypnotic bleeps and twisted noises, all driven by the trademark 5 Pin MIDI
files. Once again 5 Pin Media and Re-Zone team up, only this time to create
some of the most sublime Techno sounds and rhythms experienced in a sample
pack.
This pack features presets in Massive, Sylenth and Ableton, all fuelled by
MIDI Kits and Elements as well as Drum, Bass and Music Loops in 24-Bit WAV
format.
Stop press! This pack is not only designed for Techno Heads! Given the far-
reaching influence of Techno sounds in Dubstep, Drum & Bass, UK Bass, Tech
House, Deep House, Tribal House and Minimal, all forward-thinking producers
should consider this soundset as essential to their armoury.
With a bio that will fill this page and an impressive discography that
stretches back to 2006, Re-Zone is no stranger to the Minimal, Tech House
and Techno charts. Check out releases on his own Cyber Donkey Imprint such
as "Quasar", "128 Bass Killers Are Back!" and "Unexpectedness" on the Italo
label to experience his talent.
'MIDI Focus: Techno Bank Vol 1' features 105 MIDI files split between six
Construction Kits and separate elements comprising Bass, Bass Leads, Leads
and Pads. All MIDI files are clearly labelled with musical part and key
information for quick and easy recognition, to use with the included presets
or any third party MIDI compatible sound source.
Kicking off in the sounds department are 25 NI Massive presets, 25 Sylenth
presets and 22 Ableton Operator/Analog Instruments. Both the Massive and
Ableton presets feature macro controls for easy customisation and shaping
of the sounds.
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